Rather than pursuing a fixed medium or style, my practice follows a way of perceiving. Each work or series becomes a site of exploration where surface, atmosphere and temporal traces intersect. These elements are not isolated; they reveal quiet relationships and resonances that exist between things.

What appears as erosion, aging or decay often carries its own form of beauty. I am drawn to these moments where change leaves visible marks on the surface of the world — moments in which form becomes a record of time.

My work is therefore not an attempt to represent objects, but to observe processes. Through drawing, material experiments and archival pigment prints, I explore how surfaces hold memory and how atmosphere shapes perception.

Across different materials and scales, the underlying question remains the same: how can harmony emerge from the slow interactions between surface, time and atmosphere?

Minimal Poise is the platform through which these investigations are shared.